‘Double Indemnity’: Billy Wilder’s film noir masterpiece
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Deputy Editor Amanda Borschel-Dan is the host of The Times of Israel’s Daily Briefing, What Matters Now and The Reel Schmooze podcasts, and heads up The Times of Israel’s features.

Jordan Hoffman, a member of the New York Film Critics Circle, is The Times of Israel’s long-time film reviewer and the co-host of The Reel Schmooze.
Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use.
We have two Jangles this week. Borschel-Dan explains how Boy George released a reggae-inspired track titled, “Od Nirkod” in Hebrew, “We Will Dance Again,” on his social media accounts on Monday. The duo chews this over.
Hoffman is still jazzed from a Phish show he had seen the previous night. He brings us a fascinating and statistically rare sound sample.





The main feature this week is Billy Wilder’s 1944 “Double Indemnity,” which is considered by many — including our very own movie maven — as one of the best pieces of film noir to date.
Wilder was born in 1906 in Sucha, Galicia, today’s Poland, to a Jewish family. He moved as a boy to Vienna, eventually working as a journalist and screenwriter, and moved to Paris as the Nazis rose to power. By 1934, he had made his way to Hollywood and begun working on films.
Last week, Hoffman dared Borschel-Dan to find the Jewish themes of this week’s film. Set in 1938, “Double Indemnity” probes the banality of evil even as Wilder’s own family was being massacred in Nazi Europe.
Wilder won the first of his seven Oscars for the film, which stars Fred MacMurray, Barbara Stanwyck and the Jewish actor Edward Goldenberg Robinson (born Emanuel Goldenberg).
Let’s hear who gave this film an “oy,” “meh” or the prized “not bad” this week on The Reel Schmooze.
The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.

The war with Iran has been draining for all of us in Israel. But when I heard about a high casualty incident – ballistic missile impacts in Arad and Dimona that left nearly 200 people wounded – I drank a cup of coffee, packed a bag, and headed south.
There, I spoke with Shilgit, the head of an after-school program for underprivileged youth. Standing outside her destroyed center, Shilgit said it was a miracle that no children were hurt and spoke about the community coming together in the hours since.
As a Times of Israel reporter, I’m committed to telling stories of resilience like Shilgit’s. But my colleagues and I can't do this alone. If you value work like this, please consider joining our reader support group, The Times of Israel Community. Your financial support is essential to keep real human reporting like this going.
— Stav Levaton, military reporter

The Reel Schmooze, a podcast from The Times of Israel, recently featured a discussion of Billy Wilder’s 1944 film noir classic, “Double Indemnity.” Film reviewer Jordan Hoffman highlighted the movie as a masterpiece of the genre, noting Wilder's Jewish heritage and the film's exploration of "the banality of evil" set in 1938, a period when Wilder's family was being persecuted in Nazi Europe. The episode also touched on Boy George's new Hebrew song, “Od Nirkod” ("We Will Dance Again"), and included a segment on a high-casualty incident in Arad and Dimona, emphasizing community resilience.
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